At the Log Decomposition Site in the H.J. Andrews Experimental Forest, a Visitation
Editor’s Note: Derek Sheffield’s poem “At the Log Decomposition Site…” was previously published in Not for Luck (MSU Press, 2021), and in Plant-Human Quarterly, and is reprinted here by permission of the author. I was introduced to Sheffield’s poetry through Neil Shepard, who spoke on poetry and nature at the recent Northeastern Old Growth Conference. – Liz Thompson
I might break, I might disappear.
—Peter Sears (1937 – 2017)
Below thick moss and fungi and the green leaves
and white flowers of wood sorrel, where folds
of phloem hold termites and ants busily gnawing
through rings of ancient light and rain, this rot
is more alive, says the science, than the tree that
for four centuries it was. Beneath beetle galleries
vermiculately leading like lines on a map
to who knows where, all kinds of mites, bacteria,
Protozoa, and nematodes whip, wriggle, and crawl
even as my old pal’s bark of a laugh comes back:
Photo © Liz Thompson
“He’s so morose you get depressed just hearing
his name,” he said once about a poet we both liked.
Perhaps it’s the rust-red hue of his cheeks
in the spill of woody bits. Or something in the long shags
of moss draping every down-curved limb. He’d love to be
right now a green-furred Sasquatch tiptoeing
among the boles of these firs alive since the first
Hamlet’s first soliloquy. He’d be in touch,
he said in an email, as soon as the doctors cleared him.
When this tree toppled, the science continues, its death
Photo © Liz Thompson
went through the soil’s mycorrhizae linking the living
and the dead by threads as fine as the hairs appearing
those last years along Peter’s ears, and those rootlets
kept rooting after. That email buried in my Inbox.
Two lines and his name in lit pixels on my screen.
What if I click Reply? That’s what he would do,
even out of place and time, here in the understory’s
lowering light where gnats rescribble their whirl
after each breath I send.
Photo © Liz Thompson
Derek Sheffield is the eighth poet laureate of Washington State (2025–2027). He is the author of Not for Luck, selected by Mark Doty for the Wheelbarrow Books Poetry Prize, and Through the Second Skin, runner-up for the Emily Dickinson First Book Award and finalist for the Washington State Book Award. He is the co-editor, with Simmons Buntin and Elizabeth Dodd, of Dear America: Letters of Hope, Habitat, Defiance, and Democracy and, with Elizabeth Bradfield and CMarie Fuhrman, Cascadia Field Guide: Art, Ecology, Poetry. His awards include the Pacific Northwest Booksellers Award, the Foreword Reviews Indies Book of the Year in Nature Writing, and the James Hearst Poetry Prize judged by Li-Young Lee. Derek lives on the eastern slopes of the Cascade Mountains in Central Washington and is the poetry editor of Terrain.org. Learn more at dereksheffield.com.